Tuesday, October 1, 2013

Review: Stephen Biesty's Cross-Sections Castle


Stephen Biesty's Cross-Sections Castle
Stephen Biesty's Cross-Sections Castle by Stephen Biesty

My rating: 3 of 5 stars



One reason I don't like this book is that it is not well sourced, and does little to encourage me to look and read outside this text at all. No consultation with historians, librarians, or other experts is cited. The virtue of the unique illustrated cross sections give this book a lot of reasons to stand alone, but it's not right for Biesty to hide his research. Shouldn't this have been what DK added for a 2013 edition? This dragged the book down to a 3 from a 4 for me.

Anyway, Biesty's cross-sections are perfect for the DK standard format, because titles in the Eyewitness series don't always offer something worth looking at repeatedly in the central image. Biesty's illustrations make you sit and look, and look, and look again. Another reason I like this book is because it contradicts the Common Core directly by providing what I would call 'scaffolded' text. When I am not already interested in a mundane topic, I can count on DK to know how to draw me in and walk me through a broad range of subtopics. I would say breadth within a topic rather than depth is DK's strength in this format. But because of the broad range and the small amount of text, the information is largely surface-level.

This title exemplifies what I expect from Dorling Kindersly's informational text, and delivers even better than the more developed Eyewitness series.
1. Each double-page spread is a self-contained informational text, covering a complete sub-topic.
2. There is a main central image and a main central text to focus me.
3. There are a few or several side images with their own caption- or label-style text to encourage within-page browsing.
4. The main image is captioned or labeled to encourage multiple ways of looking at the center.
I love this format. It makes me want to spend time on the single spread, and to go back to favorites when browsing around. It also encourages browsing, because while there may be a progression to the order I don't need to read in order.

YIKES! As far as I could tell, there is nothing changed from the 1994 original edition other than the cover art and some small design features around the peritext at the beginning of the book. However, DK did NOT put any information in the peritext to suggest that this is a new edition of the old book. That's illegal, isn't it? They've made it look like this is a brand new 2013 title.



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Review: Stephen Biesty's Cross-Sections Castle


Stephen Biesty's Cross-Sections Castle
Stephen Biesty's Cross-Sections Castle by Stephen Biesty

My rating: 3 of 5 stars



One reason I don't like this book is that it is not well sourced, and does little to encourage me to look and read outside this text at all. No consultations with historians, librarians, or other experts is cited. The virtue of the unique illustrated cross sections give this book a lot of reasons to stand alone, but it's not right for Biesty to hide his research. Shouldn't this have been what DK added for a 2013 edition? This dragged the book down to a 3 from a 4 for me.

Anyway, Biesty's cross-sections are perfect for the DK standard format, because titles in the Eyewitness series don't always offer something worth looking at repeatedly in the central image. Biesty's illustrations make you sit and look, and look, and look again. Another reason I like this book is because it contradicts the Common Core directly by providing what I would call 'scaffolded' text. When I am not already interested in a mundane topic, I can count on DK to know how to draw me in and walk me through a broad range of subtopics. I would say breadth within a topic rather than depth is DK's strength in this format. But because of the broad range and the small amount of text, the information is largely surface-level.

This title exemplifies what I expect from Dorling Kindersly's informational text, and delivers even better than the more developed Eyewitness series.
1. Each double-page spread is a self-contained informational text, covering a complete sub-topic.
2. There is a main central image and a main central text to focus me.
3. There are a few or several side images with their own caption- or label-style text to encourage within-page browsing.
4. The main image is captioned or labeled to encourage multiple ways of looking at the center.
I love this format. It makes me want to spend time on the single spread, and to go back to favorites when browsing around. It also encourages browsing, because while there may be a progression to the order I don't need to read in order.

YIKES! As far as I could tell, there is nothing changed from the 1994 original edition other than the cover art and some small design features around the peritext at the beginning of the book. However, DK did NOT put any information in the peritext to suggest that this is a new edition of the old book. That's illegal, isn't it? They've made it look like this is a brand new 2013 title.



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Review: Stronger Than Steel: Spider Silk DNA and the Quest for Better Bulletproof Vests, Sutures, and Parachute Rope


Stronger Than Steel: Spider Silk DNA and the Quest for Better Bulletproof Vests, Sutures, and Parachute Rope
Stronger Than Steel: Spider Silk DNA and the Quest for Better Bulletproof Vests, Sutures, and Parachute Rope by Bridget Heos

My rating: 3 of 5 stars



Another title in the HMH series, Scientists in the Field, this one has the hallmark features: A lot of carefully written text, and a photographer taking original photos for the project.

One of the surprising features of this series is the text density, and the no-holds-barred use of the science vocabulary--it's really thick. I wonder if the editors went this direction because of how CCSS encourages the reading of 'complex text'? At any rate, I find it refreshing that the series assumes children learn vocabulary by reading it, not that they have to know it in advance in order to read. [b:How Children Learn the Meanings of Words|705021|How Children Learn the Meanings of Words|Paul Bloom|http://d202m5krfqbpi5.cloudfront.net/books/1347946005s/705021.jpg|691306] Key terms are repeated often enough in context to give readers multiple high-quality 'hits' on new meanings and words . Bridget Heos has likely spent time trying to explain science to kids, because she reviews and re-explains things that might become confusing for young readers. As an adult I found this an annoying delay in the aesthetic experience, but I see why she did it.

The narrative development of the science of these transgenic animals is fascinating! What we have here is a children's book on a specific thread of genetic engineering. As with other titles in the series, the text and pictures focus on the actual scientists and their work: Randy Lewis, Holly Steinkraus, and Heather Rothmann show up throughout the text. There is a balance of men and women scientists, but Heos and Comins have made sure that women feature prominently as key scientists throughout the whole text. All of the science is presented in context of this search for how to make spider web protein in large quantities.



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Review: Eruption!: Volcanoes and the Science of Saving Lives


Eruption!: Volcanoes and the Science of Saving Lives
Eruption!: Volcanoes and the Science of Saving Lives by Elizabeth Rusch

My rating: 4 of 5 stars



So this is the third title I've reviewed in HMH's Scientists in the Field series. Based on this sample, I really like the series.

What I don't like is how HMH is hitching its wagon to the dim star of the Common Core State Standards. The standards movement has little to recommend itself to anyone. There is no research to show that this reform movement has accomplished anything that wouldn't have happened just by leaving schools alone. Standards linked with testing have only created more problems and taken our country's children further from learning either content or useful processes for the past 20 years. CCSS was just a non-educators' stab at repackaging crap. No matter what kind of paper you wrap it in, it's still crap.

I was disappointed to read that Elizabeth Rusch has been caught up in this short-sighted (and likely short-lived 'accountability' exercise). There are more than ten states now working to distance themselves from CCSS and repeal their connections to CCSS and PARCC, and this before they have even gained much traction at all. One of my editors asked us not to reference CCSS in our upcoming edition because of how it is not gaining the momentum for a comprehensive rollout everyone anticipated. And we don't need a national curriculum anyway.

But the content in this series is still great! If the CCSS were just given to authors and publishing houses instead of to testing companies and school districts and kids, maybe we'd see more high-quality series like this. I was riveted by this book, and the narrative thread following three major eruptions (four, including the base narrative of St Helens) kept me moving forward from chapter to chapter. It was written like a cliffhanger. The scientists are the main characters in each set of chapters, and Rusch brilliantly sets the non-US scientists at the forefront of the narrative! An excellent multicultural text.

The fact that Rusch and Uhlman went to Indonesia to do live research during the eruption of Merapi was absolutely amazing. Upshot: I am sitting here in 2013 reading an obviously well-produced (i.e., time-consuming) book with research that reaches only back to 2010-2011. This kind of currency is extremely rare! I didn't follow Merapi when it was happening, so all this information was new to me, and I felt parochial for having only sketchy awareness that something so significant was happening just a couple of years ago.

Uhlman's photographs throughout the book were breathtaking, and the recentness of the Indonesia/Merapi set made it even more so. There are very few stock companies in the photo credits, and more scientific and news organizations, along with Uhlman and even three by Rusch. This lends the book even more credibility as a journalistic piece.



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Review: Solar and Lunar Eclipses


Solar and Lunar Eclipses
Solar and Lunar Eclipses by Ruth Owen

My rating: 3 of 5 stars



See my review of this series based on the Quasar title at http://www.goodreads.com/review/show/731820598



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Review: Nebulae


Nebulae
Nebulae by Ruth Owen

My rating: 3 of 5 stars



See my review of this series based on the Quasar title at http://www.goodreads.com/review/show/731820598



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Review: Quasars


Quasars
Quasars by Ruth Owen

My rating: 3 of 5 stars



This is a nicely done series. Ruth Owen's writing is clear and interesting to read, especially for basic definitional writing. She tends to offer powerful descriptions and points of comparison that bring the basic information some livelihood. While these basics and most of the subheaders are available easily on the internet, the large clearly marked diagrams and compiling all the information into one place separate this from what I found on wikipedia. This is generally true of all books in this series (I will post the same review for the other two titles I read). The series hired Kevin Yates as an expert consultant from the National Space Centre, in Leicester UK.

This is the kind of noun-based topical series that libraries will buy to satisfy the need for noun-based topical reports kids research in school. If I were teaching about general topics in astronomy, I would want this series around. Unfortunately, they were only able to put out six titles, which is not a comprehensive view of this larger heading. I wonder if the editors picked specific topics where they found gaps in other series?

For the most part, the illustrations are consistent with the text and provide a corresponding view of what is being discussed. Sometimes the picture is not enough to illustrate what is being written. But the entire book seems to have been done with stock and open domain photography, so well done!

Interestingly, this Windmill Books title was manufactured entirely in the US. I don't remember when was the last time I saw a book that wasn't made in Guangdong, China.



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