Wednesday, February 27, 2013

Review: Infinity and Me


Infinity and Me
Infinity and Me by Kate Hosford

My rating: 4 of 5 stars



I wonder if this shouldn't be its own genre. Ever since Ruth Krauss did A Hole is to Dig, it seems like the book based on child interviews is a 'thing'. This could be called a concept book, but it's really more of an inquiry book. The main effort of the character is to learn more.

Gabi Swiatowska's illustrations make this book what it is. It's got a somewhat dark tone to it, because of the overall palette she chooses, which is unusual and interesting. Her figures seem like close studies of Dusan Kallay's illustrations--there's even one page where the grandma's fingers close in a Buddhist iconic sign which is something I've seen Kallay do many times. Mostly it's the faces that hark to Kallay's work. Swiatowska tempers the dark palette with colorful elements that really stand out by contrast on each page.



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Review: East Dragon, West Dragon


East Dragon, West Dragon
East Dragon, West Dragon by Robyn Eversole

My rating: 3 of 5 stars



The throwaway ending kept me from giving this a four. But the middle was a lot of fun. Putting the two main world dragon narratives next to each other in the same book was a great idea, and Eversole was playful enough with it so that there were a couple of laugh-out-loud moments in there. When the king and knights get sent on a goose chase to the east, it sets up the best moment in the book (no spoiler). From there, it seems like Eversole was just trying to figure out how to wind down. The 'and everybody was friends' ending is not interesting or even part of the fun.



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Review: Day by Day


Day by Day
Day by Day by Susan Gal

My rating: 2 of 5 stars



Susan Gal offered up some interesting ideas at the beginning, but chose not to follow those threads. First, she has a whole 1930s moving West theme, which harks to Steinbeck--very ambitious. Second, she has the pigs build a house of bricks as soon as they reach the West. Isn't there a natural 'third' coming up in this sequence? I'm not saying there's only one possible direction, but I was really hoping for her to take those two things and build on them. There was no building. She even brought explicit allusions to Charlotte's Web and Three Pigs back at the end, but these were even more out of place by then. Other than these allusive qualities, it was just pigs doing things in an idyllic American farm-based community in the 1930s.

Okay, I'm a hypocrite, because I was okay with this romanticism in Frazee's All the World. Here I just don't care for it, although it was funny to see how she sneaked in the 'drinking from a fruit jar' at the party--too obscure a reference to moonshine for anyone to notice, I guess.

Her drawing and painting are good, and the pigs are cute, the colors and lines in the compositions are consistent with the tone of the story. I expect more than cute, and the story is what needed to carry this forward. As Miles Finch in "Elf" said, "And no farms. Everyone's pushing small town rural. A farm book would just be white noise." This book feels like just one of many in each year's pile just like it.



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Monday, February 25, 2013

Review: People


People
People by Blexbolex

My rating: 5 of 5 stars



This was so much fun! Blexbolex continually sets us up to switch on us. Construction and deconstruction over and over. You think it's going to be the basic "there are people of all shapes and sizes and colors" kind of book, and then suddenly: CORPSE, RETIREE. Blexbolex is in control of the juxtaposition on every spread, but uses it differently in waves. Sometimes the pages are visually related (super multi modal!), and sometimes they are semantically related, and sometimes a little of both, and then sometimes NONE of these. The workup to the ending creates tension, and then there's a brilliant discussion to be had on the last page, because of all the workup. I'll be buying this one! Warning: Some daring Euro-style illustrations.



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Sunday, February 24, 2013

Review: One Times Square: A Century of Change at the Crossroads of the World


One Times Square: A Century of Change at the Crossroads of the World
One Times Square: A Century of Change at the Crossroads of the World by Joe McKendry

My rating: 4 of 5 stars



A brilliant piece of historiography and art, this hardly counts as a children's book. I'd say more like a coffee table book that got published in the children's category. McKendry's impressionistic style is balanced by detailed ink drawings, along with the cutaways and cross-sections we expect in a 'how it works' book. The photo legends are also interesting to look at to see how the labels correspond to the photos. Various types of informational text inhabit each double. The timeline of the makeover of the Times / Allied building was memorable. The seedier side of the place does not go unmentioned, although McKendry avoided getting too dark in the illustrations.



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Review: A Stick Is an Excellent Thing: Poems Celebrating Outdoor Play


A Stick Is an Excellent Thing: Poems Celebrating Outdoor Play
A Stick Is an Excellent Thing: Poems Celebrating Outdoor Play by Marilyn Singer

My rating: 4 of 5 stars



Another very good collaboration between a poet and illustrator. The illustrations are complementary. I do think, however, that having the illustrations makes it SO hard to think about trying to memorize the poem. It makes it belong in the book, and to me the key thing about poetry is getting it unbound when you find something you like. Several poems hark to playground language play. Some feature time-tested games from children's folklore, and others just show kids being playful because they're outside. Never preachy, but clearly romanticized there are several here that would be fun to remember and recite. Pham's illustration has a lot of the 1940s-1960s in it (such as Mary Blair).



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Review: The Piggy in the Puddle


The Piggy in the Puddle
The Piggy in the Puddle by Charlotte Pomerantz

My rating: 5 of 5 stars



Best read-aloud ever! James Marshall was at his best. I loved playing with prosody in this one to help people talk about what the characters were trying to do.



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Review: Cat Tale


Cat Tale
Cat Tale by Michael Hall

My rating: 4 of 5 stars



I can see this being a great read-aloud with some practice. The cadence and the word play, as well as the varied pace need an out-loud voice. Chaining homophones play with both sound and meaning at the same time--Language is a Toy!



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Review: We March


We March
We March by Shane W. Evans

My rating: 3 of 5 stars



The folk-art and painterly textures make these illustrations interesting to look at. Charcoal or pencil outlines show skill with drawing as well as painting. What order did Evans do these in? Did he pencil in the drawings, then color them, then draw over them? Or is the paint transparent--it looks too saturated to be transparent paint. Simple text keeps the text more about the illustrations and what is happening. There was one 'idealized' illustration that showed a Jewish man and a handicapped guy on the march, as if to say 'they marched for all of us'. Was that historically accurate? Given later problems black civil rights leaders had with statements about Jews and homosexuals, I'm not sure it's likely.



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Review: Animal Stories 2: Never Trust a Tiger


Animal Stories 2: Never Trust a Tiger
Animal Stories 2: Never Trust a Tiger by Lari Don

My rating: 3 of 5 stars



A nice little folk tale, not too doctored up. Lari Don consulted versions and variants according to her source statement. A great reversal story. Reminiscent of the rattlesnake parable and the elephant poop parable. Would be worth learning to tell, if from an original rather than this book. There's an authentic version in Myths and Legends from Korea: An Annotated Compendium of Ancient and Modern, by James H. Grayson.

Penny Lamprell, graphic designer, made some great choices in title design and use of white space. There were a few pages where the illustrations were too dark for black type.



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Review: The Quiet Place


The Quiet Place
The Quiet Place by Sarah Stewart

My rating: 3 of 5 stars



Unusual epistolary style, single-sided! The large boxes to make a quiet place are an interesting device, again unusual. The girl is not overly uncomfortable in her new home, and explicit use of the birthday party helps us see the motif of feeling invited. There were so many opportunities for conflict or damage, but the author chose the quiet route and the discomfort remains quietly under the surface like it might for anyone who has moved to a new home. The illustrations are really charming and have a 1950s Mary Blair quality to them that goes with the story's time frame.

I thought the graphic design was slightly distracting compared to the illustration style--especially the type style and size. The slightly yellowed paper was good. But this story begged for handwritten text, and the font just seemed too much like a book and not even like a typewriter to suggest correspondence from the 1950s.



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Review: What Little Boys Are Made Of


What Little Boys Are Made Of
What Little Boys Are Made Of by Robert Neubecker

My rating: 3 of 5 stars



Not sure what to make of the book as a gender statement. It's all the typical stuff: adventure and sports.

Neubecker's best work is when he presents the complex pictures inside the boy's imagination, showing a world where the fantasy acts out in detail. The page with the jungle had illustrations that remind me of some of Sendak's scarier ink drawings. I thought the ending was trite, until he added one more page to show the boy imagining again.



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Review: Penny and Her Doll


Penny and Her Doll
Penny and Her Doll by Kevin Henkes

My rating: 3 of 5 stars



As an early reader, this book presents a basic problem and solution structure. The middle part where everyone is offering their own names for the doll reminded me of Beskow's Rumpelstiltskin. Henkes' mice are cute, and he is in full control of this franchised style. White space breaks up small passages of text within small chapters to make it more approachable for a young reader.

More animals that don't use any animal traits.



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Review: Those Rebels, John and Tom


Those Rebels, John and Tom
Those Rebels, John and Tom by Barbara Kerley

My rating: 3 of 5 stars



The stylized characterization based on historical sources was interesting. In a simplistic way, the writing complicated Jefferson's slave ownership. A caricature of King George reminded me of the short Schoolhouse Rock "No More Kings" video, and when I looked it up on youtube it looks like a lot of the illustrations were quotations of the animation. There's a source in an old political cartoon. My favorite thing was the contrast between Jefferson and Adams in the writing, and Fotheringham's complementary illustration style. Like some others, difficult to tell it was computer illustration.

Marijka Kostiw was the designer on this book, and showed a clear sense of pacing and voice in how the text is sized, placed, and spaced on each page.

Again, get ready for 50% of kids' books to be genres like this under CCSS! Every publishing house in the country is going to try to be first to get all the basic informational text covered.



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Review: Jimmy the Greatest!


Jimmy the Greatest!
Jimmy the Greatest! by Jairo Buitrago

My rating: 4 of 5 stars



Wow! Unusual for so many reasons. I haven't seen a book like this convention-breaker in a long time, and not surprising that it's not from the US. I was amazed in the early pages when the kids at the boxing ring were pictured actually hitting each other. Jimmy's process of 'becoming' is an interesting one, because most of the pictures are spent on him doing everyday things while he trains. The 'message' of the book gets lost in a kind of Zen nowness, a tone that stays grounded.

There was an underlying tension brewing with the bald kid in the background, but they never made anything of it, which was really cool and restrained.

I thought the illustration style was interesting and didn't look at all like it was computer generated. I have heard computer illustrators say that their work takes just as long as if they were using conventional tools.



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Review: Pale Fire


Pale Fire
Pale Fire by Vladimir Nabokov

My rating: 4 of 5 stars



It took me a long time to read, because I only read it at bedtime. But this was so much fun . It had been on the back burner for me since the 1990s, but I didn't go get a copy until I saw it was recommended for people who liked Egyptologist and Confederacy of Dunces. It's just so interesting to get swept up in an unreliable narrator's world view, and the back and forth of the notes is an early hypertext thing.

The novel's pretense of being about the poem, which Nabokov also wrote in a style parodying a lot of American verse, was returned to over and over again. The simple imbalance of the commentary compared to the length of the poem made me laugh almost every time I picked it up. Also, this would have been a clear challenge to the New Critics so prominent in Nabokov's time--the idea that an interpreter's schema has far more to do with interpretation than the 'text' and that the text to a fan can become something wholly disconnected from the author--in this case, who is dead since the opening pages.



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Review: Trains Go


Trains Go
Trains Go by Steve Light

My rating: 3 of 5 stars



So 'trains and trucks' should probably be its own genre of preschool book. I was wondering how this one could possibly be any different from David Crews' whole series. Not much. The impressionistic style is similar in many ways. But I did enjoy the presentation of lots of different kinds of trains. The double-entendre of 'go' for both motion and the noise something makes was fun. Unfortunately, the caboose page is obsolete. You'd have to go to an old-time train museum or ride a historical train to even know what a caboose it.

The long format was really interesting, and probably sets this book apart from others at the bookstore. Maybe a pain for librarians and teachers because of the odd size? Unless the board books go in a bin.



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Review: Dark Emperor and Other Poems of the Night


Dark Emperor and Other Poems of the Night
Dark Emperor and Other Poems of the Night by Joyce Sidman

My rating: 4 of 5 stars



These topical nature poems are accompanied by informational text on the opposite page. The design makes this parallel text not distracting. Rick Allen's lino-cut illustrations are remarkable, mostly because of the description of his three-block process. This is painstaking work. I appreciate all the work of Sidman's to make this many poems just right, too. This is one of the situations where I can see 50/50 being a fair deal.

The poems have a clear sense of each night animal having been observed closely to see what there is to notice. I thought "Dark Emperor" was a bit of an exaggeration, because of how much that phrase makes one think of fantasy or science fiction villains. But the poem was still well done and matched well with the illustration.

While I generally think it's a bad idea to illustrate a poem collection, Sidman seems to have a good way of collaborating with illustrators and she is writing expressly to be illustrated. It's not like taking Emily Dickinson or Edna St. Vincent Millay and trying to improve their poems with pictures.



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Review: I Saw a Peacock with a Fiery Tail


I Saw a Peacock with a Fiery Tail
I Saw a Peacock with a Fiery Tail by Ramsingh Urveti

My rating: 3 of 5 stars



The folk art is fun to look at, and the book is beautifully designed. I was glad the poem was presented in its entirety at the beginning, because the breakup of the lines was a little confusing during the reading. The cutouts was an interesting graphic device for revealing the poem's 'trick'. I don't think the author should have revealed the trick until the end of the book, but then it would be even harder to read the first time through. This kind of mixing is great for imagery.



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Review: A Home for Bird


A Home for Bird
A Home for Bird by Philip C. Stead

My rating: 2 of 5 stars



Okay, I know--willing suspension of disbelief and all that. But at the end when the frog goes to sleep inside the clock it's about 10:00pm and the cuckoo doesn't go off until 6am. Why? Was the author not the one making the decisions?



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Saturday, February 23, 2013

Review: Punctuation Takes a Vacation


Punctuation Takes a Vacation
Punctuation Takes a Vacation by Robin Pulver

My rating: 2 of 5 stars



an outbreak in the traits of writing epidemic i would have liked it more if the author had done far more to play with absent punctuation but the narration kept its punctuation and it never really seemed to disappear there was only one passage with punctuation gone and then one passage the kids wrote where it was all wrong how did they do it wrong if it was missing anyway oh yeah they stole some from the teacher next door so i think the author really missed a good chance for a fun book with a lot of double entendres louis sachar or norton juster could have pulled it off

the illustrations were whimsical and matched the joke of the book



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Friday, February 22, 2013

Review: The Curious Garden


The Curious Garden
The Curious Garden by Peter Brown

My rating: 4 of 5 stars



For a book with a message, I should be at a 2 or 3. But the illustrations evoked an immediate response in me that made me read and reread the book a few times. Maybe it reminded me of when I was a kid and grandma let us draw on the big formica table in the kitchen. We would design complicated cityscapes from a bird's eye view--with the idea that we would play cars and other toys on the plan, but somehow we never got to the playing just the designing. Just a lot of fun to look at and see the palette change to trace out the areas where the boy had been at work.



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Review: Rain Makes Applesauce


Rain Makes Applesauce
Rain Makes Applesauce by Julian Scheer

My rating: 5 of 5 stars



Thanks for sharing this, Lu! I love the illustrations, and how they complement the rhythmic free verse feel of the single line text. There's something about the quilted, patchwork look of Bileck's illustrations that reminds me of Arcimboldo's paintings. My favorite one was "The wind blows backwards all night long..." Most of all, I loved reading the inscription inside and knowing it was your copy and that it has a history with your family.

There's a prescient, or on the edge psychedelic thing going on here--about 3-4 years too early to be part of the Seymour Chwast, Yellow Submarine style. Maybe it's more neo-folk? Anyway, I always think of John Lennon instead of Edward Lear when I read nonsense literature.

What do we make of nonsense literature if we can't make sense of it?



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Review: Forget-Me-Nots: Poems to Learn by Heart


Forget-Me-Nots: Poems to Learn by Heart
Forget-Me-Nots: Poems to Learn by Heart by Mary Ann Hoberman

My rating: 3 of 5 stars



This is a difficult review (and it's going to be a long post). What I like most about this anthology is the wide variety and deep volume of poetry. We need more 'catalogs' of poems like this. Why do I like this kind of poetry book? Because my own experience and my experiences with kids teaches me that the process for selecting poems to learn and recite is as follows:

First, want a poem,
Which is hard today.

Second, go hunting
In a junkyard of poems,
Looking for one
That doesn't belong there.

Third, do what you do
with that kind of find.

Hoberman starts with an interesting question, but gives a too-simple answer: What makes a poem memorable? She breaks it into 'easy to remember' and 'worth remembering' and assumes that these qualities live in the poem and not in the reader. This is a semiotic mistake on her part. My experience with poetry is that I have to browse and browse and reject dozens before I find one that 'sticks'--this seems to be more about me than about the poems.

So the starting point is to believe that you need poems to have with you all the time. Nancy Willard said that you have to want poems to carry around with you wherever you go, because you like the feeling of being able to 'pull it out of your pocket or bag' at a moment's notice. As Kenneth Burke wrote, poetry is equipment for living. Poetry has nothing like this place in today's popular media or education, the way it did a hundred years ago.

BUT, instead of being a throwback to a bygone age, poetry is something powerful we have learned to ignore. Most of the current generation of adults probably hates poetry because of New Critic teachers who told us what the poems meant and berated us when we offered our own interpretations. Also, I was exposed to only a narrow set of poets. I never liked the serious issues poets who wrote of death and love and god--usually canon poets; and I never liked the silly poets like Silverstein and Prelutsky. In sum, these were all I ever got of poetry as a child or teen. This means I had mostly teachers who did not understand or care for poetry. Get braced for more crappy authoritarian teaching in guise of 'close reading' (demanded by the Common Core State Standards), and even less poetry available as classroom libraries are 'adjusted' to meet the required ratios of informational text!

This book is well designed. As others have noted, the generous white space encourages browsing, which is necessary. The illustrations do not provide too much of an interpretation for the poems, but in general I don't like to see poems illustrated at all unless originally written that way. Also, the topical organization is unnecessary. I rarely seek out poems because of what they're about, and I'm suspicious of topic headings as a way of finding poems because of what they suggest about how to read poems.

I might have liked this book little better than the Kennedy family collections that came out a few years ago, because of the well done design and illustration--Saho Fujii deserves a title credit for her design. But I didn't really like that Hoberman included thirteen of her own poems. Granted, she is one of the children's poets of our time, but it would have been better form if someone else had done the collecting. Caroline Kennedy's collecting was probably better, but the illustration in this book was handled better.



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Review: Pete the Cat and His Four Groovy Buttons


Pete the Cat and His Four Groovy Buttons
Pete the Cat and His Four Groovy Buttons by Eric Litwin

My rating: 2 of 5 stars



As a pop phenomenon, I can see why this could take off, become kind of viral.

As a concept book on simple subtraction, it works. The cat's "it's all good" attitude and standard coolness provides some subtle humor as he loses his buttons in random settings. Overall there's not much here. The return to the refrain, the song, provides a decent moment for imagining what the tune would be like and how it would sound being sung instead of read as prose.

But then I see that they want me to download the song, which would provide 'the answer' for almost the only point where my imagination is being drawn on. Don't download it, or you'll lose the only opportunity for fun thinking in the book!



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Review: Just Behave, Pablo Picasso!


Just Behave, Pablo Picasso!
Just Behave, Pablo Picasso! by Jonah Winter

My rating: 3 of 5 stars



The theatrical voice of the narrator almost made me feel like I was in a movie trailer, or listening to a carnival barker (neither of which was a bad thing). In fact, there were moments where I thought this could easily break into a musical. It had a lot of the pacing and exaggerated feel of Joseph and the Amazing Technicolor Dreamcoat.

I have to say I wish the storytelling style and illustration had less of the flash and fame about it, and more of the abstraction that would be more consistent with the paintings that are so difficult for many people to accept. Instead of telling us that many people both love and hate Picasso's work, it would be great if they had 'shown' us how and why.

I was really impressed with Melissa Sweet's work on the River of Words book about Wm Carlos Williams, and how she worked for this consistency with the poet's work. For this book, it makes me wonder whether either the author or the illustrator really understands Picasso's work, or if they just know how to represent it descriptively.

I passed it to Pearl, because she's been enchanted with Picasso because of what they're studying in school. She read through the whole thing in the car, which she doesn't always do when I recommend or bring a picture book.



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Review: Moses: When Harriet Tubman Led Her People to Freedom


Moses: When Harriet Tubman Led Her People to Freedom
Moses: When Harriet Tubman Led Her People to Freedom by Carole Boston Weatherford

My rating: 4 of 5 stars



So it's really historical fiction, but I don't have a shelf for that yet...

This biography does what much similar fiction does, which is to psychologize the structure of facts. Weatherford does have a very interesting stylized way of writing in three voices: a narrator, Harriet, and God. There is a clear shift in the rhythm of the voices when they shift, which helps with the imagining. Readers' Theater anyone?

Nelson's illustrations are phenomenal. The double near the end where Tubman is leading a group of people and hushing them is one of the most gripping compositions I've seen in a children's book. Nelson's use of the cinematic shots is again clear: the mid range shot is most prevalent throughout the book, with only a couple of the impressive wide shots and extreme close-ups. The cinematic sense of storyboarding is clearly a strength of Nelson's.

This book makes no bones about being a myth-making book, and it wears its religion on its sleeve. It's an honest approach, and one that would give a group of readers an opening to talk about religious beliefs as an aspect of social studies.



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Review: Fish had a Wish


Fish had a Wish
Fish had a Wish by Michael Garland

My rating: 2 of 5 stars



Was Garland trying to make the new 'Rainbow Fish'? His digiwood illustrations are based on a new technology, like the hologram stickers were for Marcus Pfister in the 1990s. The digiwood illustration is more interesting to look at than the holograms in Rainbow Fish. The pictures were better inside the book than on the cover, which is unfortunate. Some of the rich double spreads are done with unusual palettes (the first three were most interesting).

The story is just as preachy as Rainbow Fish, with an unoriginal "just the way you are" message. I agree with this message, and am a great fan of Fred Rogers, but not a fan of trying to deliver a message through art. Let's talk more about Mr. Rogers. I always enjoyed him speaking directly to me through the tv, but I always hated how the puppets in the Land of Make Believe were trying to teach me whatever lesson he had for the day.

When teaching school, I always found it worked better to teach morals or ethics more directly through open talk and discussion than to try to sugar-coat an uncomfortable message in a story or song.




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Review: Rocket Writes a Story


Rocket Writes a Story
Rocket Writes a Story by Tad Hills

My rating: 2 of 5 stars



I'm baffled by the high reviews for this book. It's the time-tested story of a puppy learning to write. I just didn't get it. Much like Marc Brown's Arthur books, I have no idea why the characters in this story need to be animals. It's token fantasy displacement with the only effect being to make the characters seem more cute. But a good illustrator knows how to make children cute, so why do we need it to be a puppy and Tweety Bird?

When I displace into an animal my identifying with the main character, I usually expect to experience something by 'being' the animal. For example, Wilbur's fear for his life in Charlotte's Web is gained by the fact that humans eat animals, and I could sense that horror. Even Bugs Bunny is always being hunted by one predator or the other.

Sure, I'm a hypocrite. This problem doesn't bother me nearly as much in the early Berenstain bears books (the later ones, yes), or in Hoban's Frances books. Authors and illustrators should know it's a device, and not just use it because they can. We expect major choices in writing and painting to be well thought out, and this one just isn't.



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Review: Sadie and Ratz


Sadie and Ratz
Sadie and Ratz by Sonya Hartnett

My rating: 3 of 5 stars



I always wonder how well a piece of realistic fiction will resonate with kids. This one is obviously targeted at a specific problem, the one of not being believed, and being misunderstood. The voice is uncomplicated, and uses some sophisticated vocabulary for the age group--which I think is great. We want kids to know that their thinking has real words. This is targeted at preschool, so it is most likely intended as a read-aloud. But it may be a good chapter book for K-1, too.

The writing did not seem condescending, which is what I look for as the common mistake when a writer is trying to inhabit the mind of a child.

I think this could be a good story for complicating bullying, because the main character does not realize that her own actions may be what is causing the little brother to want to blame Sadie & Ratz for everything that goes wrong. She is the bully, and while things do work out for the best, I don't know that the book is about her 'learning her lesson.'

This book makes me think about Bruno Bettelheim's work, and the idea that specific issues and conflicts may be better explored in fiction, especially with folk and fairy tale material--because we can exaggerate and amplify and even make characters out of the issue. I'm often suspicious of issues-based realistic fiction for this reason. For this one, because the writing did not feel didactic or condescending I felt okay giving it a 3.



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Thursday, February 21, 2013

Review: The Wall: Growing Up Behind the Iron Curtain


The Wall: Growing Up Behind the Iron Curtain
The Wall: Growing Up Behind the Iron Curtain by Peter Sís

My rating: 4 of 5 stars



This is an unusual autobiography. It is more graphic novel than picturebook, and the graphic design offers features of a strong informational book (such as the white space). Sís' stylized cartoon illustration harks to the 1960s and 70s art he notes in the book--San Francisco magazines, psychedelic record album covers. It's fascinating to see the idealized view of the West, knowing that contrast is what makes it so.



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Review: I'm Not a Baby


I'm Not a Baby
I'm Not a Baby by Jill McElmurry

My rating: 5 of 5 stars



We haven't bought this yet, but we check it out from the library repeatedly. Super funny!



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Review: Grandpa Green


Grandpa Green
Grandpa Green by Lane Smith

My rating: 2 of 5 stars



Aw, crap. This book had such promise! As the story developed it had this Sendak / Edward Gorey / Van Allsburg thing going where I was sure the boy was using the garden to imagine himself through a whole trajectory of life beyond his childhood. That would have been much more true to the 'secret garden' motif Smith even invoked directly in the book. I started to remember the Jimmy Corrigan graphic novel or the feel of Harris Burdick.

It would have been so much fun as an example of counterpoint between text and pictures, but then he ruined it with his O. Henry ending. I think if I get a chance, I'll do a read-aloud and stop and talk about the counterpoint and ask people to finish the story before hearing the ending, and see if their drawing out of the counterpoint is more interesting than what Smith's cheap ending did.



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Review: How I Learned Geography


How I Learned Geography
How I Learned Geography by Uri Shulevitz

My rating: 4 of 5 stars



Is it because of Shulevitz' past work that this story reads like a fairy tale? A father who comes home having spent his last bread money on a map? Sounds like magic beans, right? And then the map's power over the boy to take him to new places? Beanstalk? I doubt Shulevitz saw these motifs, but as he simplified the story and decided how to tell it, he found the moments that make it a story interesting to tell. It's no surprise when a good story is well-organized by motifs that have made good stories for centuries!

I would probably call this a memoir rather than a biography, and it could provoke an interesting discussion about genre.



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Review: Zen Shorts


Zen Shorts
Zen Shorts by Jon J. Muth

My rating: 3 of 5 stars



Overtly didactic, I would have liked this book less if we hadn't just had an in-depth discussion about transformative education last night in our semiotics seminar. The power of Zen stories and koans to still the mind and help people to perceive what is up close and cluttering our minds is part of transformation. Without becoming aware of broader forces and trends that work to shape us and boss us around, it can be difficult to transform.

What I enjoy in a transformative experience is the having of the experience, not having an author tell me I should. This book clearly links the idea of 'here's a bit of Zen story' with 'here's how to apply it in modern life.' Literature has this kind of power to provide an experience, but when it turns into a sermon I feel like I am participating in advertising or proselyting rather than art. I do not prefer didactic books, even when I agree with them. Didactic literature usually assumes a transmission model of teaching (no interpretant), and a passive learner waiting for 'messages'.



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Wednesday, February 20, 2013

Review: First the Egg


First the Egg
First the Egg by Laura Vaccaro Seeger

My rating: 3 of 5 stars



Seeger has a clever design idea and she's milking it for all it's worth. I thought Green was more interesting than this book because of how it explored just the one thing. But as a concept book (one of the mainstay categories in early childhood literature), this one focuses on the temporal order necessary for cause/effect thinking. I was glad she went back at the end and inverted the order, so the question of the title wasn't answered so tidily!



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Review: Life in the Ocean: The Story of Oceanographer Sylvia Earle


Life in the Ocean: The Story of Oceanographer Sylvia Earle
Life in the Ocean: The Story of Oceanographer Sylvia Earle by Claire A. Nivola

My rating: 4 of 5 stars



When I was teaching 2nd-3rd grade with Marianne McWhirter, she read aloud from Eugenie Clark: Shark Lady. I always enjoyed how well-rounded that book was as a biography. Nivola's telling of Sylvia Earle's interest in the ocean provides a strong main character who is a woman scientist. Earle's interests and punctuated moments from her career provide the structure for the book, and go a long way toward humanizing the water so inhospitable to humans.

The painting style was enjoyable, with a breathtaking use of watercolor pointillism on some pages. Some of these pages are so filled with small animals and objects that it is easy to get lost in the frame and sit just looking. I wish she had carried this emphasis on the wide horizontal panorama through the entire book. WHen she switches to a new layout with the text down the vertical side, I think it cuts the proportions too closely and the images aren't as inviting. Out of the last three spreads, the two that get narrowed down are the ones I wish were panoramic, and the one that is panoramic isn't as interesting to look at.



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Review: The Beetle Book


The Beetle Book
The Beetle Book by Steve Jenkins

My rating: 3 of 5 stars



Some things about this book bothered me at first look, but a full reading brought me back around.

1. In my experience kids prefer 'fact books' with photographs or photorealism. So the paper cutouts are extremely beautiful, but I wonder whether children would be constantly wondering what a 'real' beetle looks like. However, because of the subject matter the torn and cut paper almost feels photorealistic. My concerns diminished the longer I looked at the book.

2. The standardized format of each page, the presentation of information, made me worry about getting bored with so many beetles. But on closer reading, each of the double page spreads reads more like a 'chapter' than just a discrete treatment of different kinds of beetles. For example, there is a whole spread dedicated to beetles that hunt and scavenge and another for how beetles grow and develop from egg to adult. Each of these topical sub-sections gave Jenkins a chance to feature new beetles on each spread--a monumental amount of work! The informational design was phenomenal--although I would have liked to see some variety in sizes of print to guide readers to the topic text, with smaller text for each of the featured beetles. I loved that there was an 'actual size' scale on each spread--whoa! check out the Fijian long-horn beetle on page 20. [Yes, the pages are actually numbered in this picture book--we'll be seeing a lot more of these features in picturebooks as the market shifts toward informational text along with CCSS.]

I can see using this book in an inquiry study on insects to help specific students get depth for the beetle. But honestly, it's a beautiful book. Nancy said it would make a good coffee table book.

Jenkins appears to be the graphic designer, or at least no other credit is given.



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Review: The Obstinate Pen


The Obstinate Pen
The Obstinate Pen by Frank W. Dormer

My rating: 3 of 5 stars



It takes a special person to carry off this kind of illustration, which harks to James Marshall. I'll have to look at more of Dormer's books, because it was pretty good--I'll need more convincing.

As far as the story goes, I was more impressed. The pen wants to be free to do what it wants and does what it needs to to be set free. A wee bit schmarmy, with the Rousseauian view of the child, but this fits well with a child-centered approach to child characters.



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Sunday, February 17, 2013

Review: Bear Despair


Bear Despair
Bear Despair by Gaetan Dorémus

My rating: 4 of 5 stars



So I've been wondering what it would be like to 'read aloud' this book just with prosody. To do non-linguistic noises that offer an impression. I could probably do that with some images in Snowman, too...

Oh, man! This one was close to a 5. I'll have to wait and see if I keep coming back to it, or if I buy a copy. The bear gets so mad! I laughed out loud three or four different times, and then again while I had it open to write this.

I'm going to get the rest of the Stories Without Words series from Enchanted Lion Books, even though they're not all by Gaetan Dorémus.



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Review: A River of Words: The Story of William Carlos Williams


A River of Words: The Story of William Carlos Williams
A River of Words: The Story of William Carlos Williams by Jennifer Fisher Bryant

My rating: 4 of 5 stars



Melissa Sweet resisted the temptation to provide a representational interpretation of Williams' poems, instead purposefully taking a modern-art abstract approach. I appreciated this. While we do get to see a picture of a red wheelbarrow, for example, we do not have the illustrator telling us why so much depended on it. The images in Williams' poem are supposed to be evocative without being symbolic, and the verbs and adjectives are often where the poetry happens around these evocative everyday nouns. The collage using old books and ephemera was a good choice, although I have maybe seen a bit too much of this in the past ten years?

As with many of the biographies I have just read, this one is less about myth-making for the great figures, and more about helping us get to know people important in history but who we may not have known much about. I'm glad the picturebook market is at this point. Writers who want a biography project are likely to think "There are too many out there about Abraham Lincoln already." Jen Bryant's work was informative, but leaves me wanting more. Just about right for a picture book, because there are other biographies out there. And the images for this book do a lot of the work of letting us have an art experience while the biography is laid out.

The timeline was also sparely filled in, and offered a nice touch with the synoptic points of reference. I would probably only read this with kids after some of them had dug into Williams' work--otherwise, why?



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Review: Homer


Homer
Homer by Elisha Cooper

My rating: 3 of 5 stars



I liked this book better the first time I read it when it was called The Story of Ferdinand. "He liked to sit quietly and just smell the flowers." I was hoping for some kind of narrative, but nothing happened. Others went and came back, and it was all good with the dog. Calm and zen. Decent and spare drawings and a wholly symmetrical text.



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Review: Machines Go to Work in the City


Machines Go to Work in the City
Machines Go to Work in the City by William Low

My rating: 3 of 5 stars



This was a good choice for a one-artist picturebook. Too often it's the writing that is difficult to pull off, so a concept book doesn't really demand the control of a narrative or poem. We get to focus on Low's representational art instead of worrying about whether he can pull off the text. Low has one of those painting styles that looks hyper-realistic from medium distance, but is really highly impressionistic and painterly up close. I liked looking at the cityscape backgrounds to see the textures of windows and different parts of trucks and big machines.

The 'perfect for little hands' tag on the front is not really true. The copy I have from Poudre Libraries is well handled and ripped many times where the pages fold out, or folded back several wrong ways before turning and folding the page back. But I don't know of any book with flaps that doesn't suffer this trauma. It's a kind of book that challenges hands. If it isn't already a board book, it should be.

The one thing I wish Low had been able to pull off would be a double use of the folding flap. If the back of the flap had somehow been used on the -next- double page spread as well as the current one it would have been ingenious!



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Review: Blackout


Blackout
Blackout by John Rocco

My rating: 2 of 5 stars



Almost fooled me! The book's well-drawn graphic novel style, spare pacing, and enchanting representation of a family in a power outage just about masked the story's attempt to teach us all a lesson. Once more, the fact that I agree with the message doesn't help. I don't think the sermon is in general a genre of literature. And this is the second (or third) book in two weeks to try to tell me to just turn off the lights and enjoy life without gadgets.



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Review: Baby Bear Sees Blue


Baby Bear Sees Blue
Baby Bear Sees Blue by Ashley Wolff

My rating: 2 of 5 stars



The lino-cut illustrations were impressive, but the story was really no match. The baby bear in this story shows complete dependence on its mother, with no child-centered initiative. There is really no story, just each thing in the world an excuse for the mother to tell the baby what he sees, and for the narrator to name a color, culminating in a rainbow and bedtime. Another bedtime book?



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Review: Song of the Water Boatman and Other Pond Poems


Song of the Water Boatman and Other Pond Poems
Song of the Water Boatman and Other Pond Poems by Joyce Sidman

My rating: 3 of 5 stars



Like most books of poetry, this one probably shouldn't have been consumed in short order. I imagine this book being most interesting one day at a time as a read-aloud. The illustrations are rich and interesting, providing as much as possible a perspective from in the pond. My favorite illustration was for the wood duck. Favorite poem was the first, "Listen for Me", about spring peepers. It's alternating-stanza b-rhyme scheme was a nice complement to the repetition to the repeating a-words rhymed throughout each stanza.



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Review: I Know A Wee Piggy


I Know A Wee Piggy
I Know A Wee Piggy by Kimberly E. Norman

My rating: 3 of 5 stars



Cartoony illustrations keep this story whimsical. It follows the cumulative "I know an old lady who swallowed a fly" pattern, without the big ending. Cole and Norman showed restraint in keeping the pig from washing off all the evidence in the water at the end. A couple of pages leave interesting clues in the environmental text (the sign painter), and I ended up wishing there were more going on to the side of the story like this. The only thing to really give a thread was the rhyming words, and some of these (seen) just didn't work, and she gave up on purple!



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Review: Me...Jane


Me...Jane
Me...Jane by Patrick McDonnell

My rating: 4 of 5 stars



Another interesting slice of biography, like I've seen in this binge. McDonnell does not attempt to get the whole life into one picturebook.

This one focuses on Jane Goodall's childhood fascination with animals and Africa, and tells mostly that story, leaving the story of her adult work for other biographers. The double page spread of Goodall's actual drawings and writing from this time are so fun to look at. The ending with a photograph was a bit of a risk and surprise, and maybe a little inconsistent with the style of this book. But for the selected photograph, its coloring and composition were not jarring. The back matter offered a few more biographic artifacts that were also great to look at.

I wondered whether Jeff Schulz, the designer, was responsible for the background images from old engravings. The paper choice and layout were all part of the book's charm.



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Saturday, February 16, 2013

Review: And Then It's Spring


And Then It's Spring
And Then It's Spring by Julie Fogliano

My rating: 4 of 5 stars



This reminds me of the way Peter Rabbit is structured. The ending of the story suggests that there is a 'message' (in this case, something like 'just be patient and the green spring will come'). But the entire arc of the story, all the memory and the interesting things that happen, happens in the middle. So all things considered, this is a book about brown (not much about spring at all). So fun!

There's a wonderful double page spread with a cross section of everything that's happening underground, with the words "and the brown, still brown, has a greenish hum that you can only hear if you put your ear to the ground and close your eyes." I enjoy Erin Stead's illustration style even more in this one than in her Caldecott winner from before. And Fogliano's prose poem is very good. It's governed by a rhythm and a child's voice that reminded me of Ruth Krauss' A Hole is to Dig, which came right from kids.



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Review: The Hello, Goodbye Window


The Hello, Goodbye Window
The Hello, Goodbye Window by Norton Juster

My rating: 3 of 5 stars



I don't really like the cover of this book, and am not too interested in Raschka's style for this book. It seems really clownish and garish, but he also controls it very well, and I find his compositions and human expressive use of human figures to be in a tight complementary relationship with the text. It moves between symmetrical and complementary, never working into contradictory illustration.

Juster has noticed a little slice of life that is worth expanding on the way he did here, and it has more depth than you might think at the start. I also found the balance of nostalgia with realism to be just about right--not smarmy or schmaltzy.

So my mom's mom and dad had a huge second-floor picture window that overlooked the deep valley of Big Cottonwood Creek, and only about 15 feet of yard before the drop off. I remember taking an extension ladder scaffold from grandpa's garage and setting it up right below this window and then walking past and waving at grandma. She was so shocked and laughed out loud! This book made me think of that.



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