Emancipation Proclamation: Lincoln and the Dawn of Liberty by Tonya Bolden
My rating: 4 of 5 stars
I felt like I was watching a good movie, couldn't put the book down. Interestingly, this long-form informational book took me about as long to read as to watch a movie.
Bolden's first-person telling from the black we point of view added a sense of urgency. I enjoyed her decision to problematize Lincoln, presenting him in the context of a. constant pressure by abolitionists and b. seceded states' failure to concede anything in negotiation (sounds familiar given today's congress). It was great to see all the context coming together to make emancipation look to Lincoln more and more like the inevitable conclusion. Arguably it is easier to complicate Lincoln without polarizing people, because he wasn't a slave owner like Jefferson or Washington. It's easier to write him as a conflicted character without villainizing. By contrast, it was this complexity in characterization I felt was missing from Fitzgerald's [b:Children of the Tipi: Life in the Buffalo Days|16293298|Children of the Tipi Life in the Buffalo Days|Michael Oren Fitzgerald|https://d202m5krfqbpi5.cloudfront.net/books/1379897647s/16293298.jpg|22420863], which I reviewed yesterday.
Bolden's often poetic narrator voice carries the disappointment and eagerness she might have felt inside the movement at the time. She makes no apologies for assuming a personal point of view with a power-based agenda, her quilt frame for patching together all the sources and facts. She presents in quotation the brilliant logic of thinkers like Frederick Douglass who could see the road forward, while not faulting Lincoln for being deliberate and slow and ultimately wrong. (Changing his stance--hmm, don't we call that 'flip-flopping' now?). Many of the quotations she selected sound like they could have been written yesterday. This is probably because so many of them were taken from speeches, and maybe spoken language hasn't changed all that much since the 1800s?
In the end matter a thorough timeline, complete quote sources, and a full two-column page of bibliography all recommend Bolden's careful historical work and the publisher's confidence in this as a book worth spending end paper on (it's an obvious try at an award by Abrams). Also, the entire text is shot through with photos of primary source documents in addition to the engravings and photos. Maria T. Middleton gets a design credit in the front matter. High quality paper, expensive color process, and a fine dust cover all point to a book with a great budget.
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